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Evening Standard, 19 February 2018 |
Barry Millington |
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Wolf: Italienisches Liederbuch, London, 16. Februar 2018 |
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Jonas Kaufmann/Diana Damrau review: Love songs hit the right notes
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Weaving a narrative of sorts round a generous selection from Hugo Wolf’s
Italian Songbook, Diana Damrau and Jonas Kaufmann enacted the drama with a
repertoire of hugs, shrugs, winks and grimaces.
Some may have found
it all too coy, and it could be argued that a listening partner is not
congruent with the self-communing nature of the genre.
Yet it worked
well, not least in the second half as each character reacted to the other’s
complaints.
Their sequence began with a series of folksy numbers, in
which the gesturing compensated for nugatory emotional content. But the
first half ended with the pair momentarily finding joy in four of the finest
love songs, delivered with touching passion.
It was the love songs
that showed Kaufmann at his best, when he was able to fine down his heroic
tone to something more intimate. His extraordinary breath control enables
him to project long legato lines, but their expression is generalised, not
geared to individual words.
His tone, though always appealing, is
sometimes too capacious, too operatic for such miniatures.
Damrau,
by contrast, a bel canto specialist, proved more attuned to the scale of
these gems. Mir ward gesagt, for example, was ideally tremulous. Helmut
Deutsch deserved a bouquet for his responsive accompaniments throughout.
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