ELLE Magyarország, March 2014
Superstar of the operahouse
Jonas Kaufmann on love, passion and Bavarian leather trousers

Question: why have you been named 'Jonas'? Do you feel any community with the prophet who tries to flee from his fate? This almost happened to you when you almost changed your profession.

JK: It was not on religious ground that my parents chose this name for me, they simply liked it. But my grandfather was opposing tooth and nail saying that they would ruin my life, everybody would be mocking of me, because at that time almost nobody was called like that in Germany. Therefore I got a second Christian name, which is Alexander, so that should I as an adult dislike Jonas I might change it. But I have not done so. As to fleeing from my fate, I might have chosen bad teachers or I might have misunderstood them, but around 1995 it seemed I would not be able to continue in this profession. Then, fortunately, I found a teacher who showed me another way and therby he saved my voice, my carreer and my life.

Question: You are one of the greatest stars of classical music. Do you like being called 'the star tenor'?

JK: Well, at the beginning, I hated it. I felt that a star tenor is someone who has not got into the limelight because of his performance as a singer. And this disturbed me a lot. With time I got used to it, but I do hope it is not with these labels that I identify who I am. Of course it is great that I have so much success, first of all because I see what my voice is able to achieve: it not only enchants or entertains, but it also finds the way to people's soul, which is a huge responsibility and must be used for good purposes. There was a time when I had the impression that everything is more important than the way I sang. For instance, when critics were preoccupied with my appearance rather than with my voice. It is belittling when they say: of course, he is successful because he is so handsome. Luckily enough it has changed in recent years and people are more interested in my performance than in my appearance, which is fantastic, because no matter what benefits success might give, the only reason for which I chose this profession is that I adore singing. Not only here in the opera, but in general, anywhere, anytime and to anybody. I sing everywhere: in the shower, in my car, on end. This is my passion and it would be terrible if I could not do it. On the other hand, my carreer is time consuming, in addition, it made me 'public property' and it is not easy for me to protect my private life. If somebody comes to me in the street and asks if I am me, I cannot answer that no, no, you mistake me for someone else, this would not be fair. I try not to be away for too long from my family, this is the reason why we moved back from Zuric, where we used to live, to Bavaria, because here I can better balance family life with my work. One could say I came back to my roots, since I was born in Munic, many friends of mine live here, I like this neighbourhood, this people, I belong here.

Question: Do you then wear Bavarian folk costume?

JK: Lederhosen? (leather trousers) Of course I do. And not only at the Oktoberfest, but at family events, weddings, birthdays too. By the way, it is a very practical garb, I used to wear it very often when I was a child, because it is simply wear-and-tear-proof. For a small boy, there is nothing more boring than a mother who keeps on nagging him to take care of his trousers. Whereas with the Lederhosen, if it gets torn you simply take it to the cobbler who would stitch a patch on it and there you go.

His lough is contagious and his fast English speech gets a kind and unique flavour by the sporadic German words he mixes into it. As he is speaking, I can see the little boy he was in front of me, the little boy whose brimming with life he has kept in his adult self, just like he is always able, in a miraculous way, to achieve that when he is singing I should feel exactly the same feelings that he does.

JK: If my thoughts are not preoccupied by the technical aspects of singing, if my mind and my soul are free and I am attentive only to my feelings, then my voice changes, and this is the change due to which another person will be able to live through what I am experiencing. This is of course not easy to achieve, and I do believe that you cannot simulate emotions. It is therefore very important that I have a normal private life, because I must experience joy, pain, a variety of human emotions in order for me to be able to produce them in my roles. If you want to seduce a woman on stage, it would only be credible if you have done it in your real life. Love is the best example. In love, you will immediately see if something is not sincere.

Question: Is it not dangerous to experience so intensive emotions day after day? How can you control them?

JK: To be honest, I don't know how I manage, it simply works. You learn it by doing it over the years. Karajan called it 'controlled ecstasy', which is a contradiction, but still, it is what it is about. When I am playing, I am fully transformed into the character I am playing, I feel his feelings, I live his life and I am him. Then the curtain drops, and it is over. Now, one second is enough, initially it took longer. A role is for me like a pair of gloves: I put them on, they fit perfectly, then I take them off and they are not there any more. Thank God, I have to add, as otherwise I would get into trouble, because I would not know anymore who I am. This is a kind of valve which helps to cope with the probably too strong emotions.

Question: Once you said that while earlier the whole world used to fall at the feet of great singers, today „everybody is only waiting for me to make a mistake”. Do you really mean this?

JK: In Caruso’s time great singers used to be supertars and super rich, but even a couple of decades ago the public was rejoicing and cheering even if the singer happened to have a bad day, because they loved and appreciated him for what he had delivered earlier. Today, however, there are at least 10 people at each single performance who would be recording the entire programme and would upload it to the internet that very night, and if the singer did make a mistake, the whole world would be informed of it by the next day. This is a lack of respect for both the profession and the singer, who is not an automaton but an artist, a human being. Those who strive for perfection should buy an overengineered CD for themselves. A live performance is very humane and mistakes make a part of it. And I am not talking about those who cannot sing, or cannot sing any more, but about artists who very simply have good or bad days. I want to make it clear: I know numerous people who are fully aware of this, who appreciate it and who forgive the singer any eventual mistake. Others, however, who have never stood on a stage in their lives and do not have the slightest idea of what it takes to practice this profession, well, these people are the most fierce critics. According to their expectations, a 100% performance is acceptable, whereas a 70% is not. I am not talking about myself, since I am so lucky that even if I performe at 85%, that is also all right. But I beg your pardon, it is not possible that the same ten people should sing in all opera houses of the world every night. There are a lot of fantastic artists in addition to them. And anything could happen to me, too, anytime. I try to plan in advance and to avoid that something does happen to me, but there are no guarantees. I keep on learning, practicing, making efforts to develop, if not for other thing than because if I leaned back in my chair saying that now, I know everything, that would be extremely boring.

Question: Yet, your life seems to be perfect from every point of view, not only professionally. For instance, you are a good hand at computers or cars. Tell me something which you are bad at? Are you able to fit together an IKEA cupboard, for instance?

JK: Of course, I am. That is one of the easiest things in the world.

Question: Can you cook?

JK: You bet I can. What is more I would clean up the kitchen after me, albeit not too willingly. I am an artist and I would put it like this: I am more than delighted to build a wall but I would need someone else to put all the tools away when I am finished. Being organised is not one of my strengths and I am pretty sure I will not achieve perfection in this regard.

Question: Can you change the diapers of a baby? I guess you can as you are father to three children.

JK: Yes, I can, I have done it on numerous occasions.

Question: do you go to parent-teacher conferences at school?

JK: So, there we are. I do, or I used to go, but it is at least two years now that I last was able to attend one. While we are talking here, my son has a performance at the school and he would have liked me to go. But I could not.

Q: is there a place in Munic where you can wish something and it will come true?

JK: yes, there are 4 bronze lions in Residenzstrasse which you have to touch. And people keep on touching them so that they are quite shiny by now. But if they do really fulfill their wishes, I do not know.

Question: And what would you wish?

JK. Time. I have never met anybody who would be fully satisfied with what they’ve got. It is either too much: too much work, too much success, or too few. The most difficult thing is to find the right balance, to achieve exactly that much success that makes me satisfied, that allows me to earn enought money to allow me to live free from care and still to be free, so that I can decide what I want. So that I can go hiking, biking or sailing. Currently, I do not have time for these things. Time is the most important factor which is missing from my life so that I could feel being even luckier and happier.

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