|
|
|
|
|
The Sunday Times, 18 September 2013 |
Hugh Canning |
|
ALBUM OF THE WEEK: Verdi — Requiem |
|
Recorded
at La Scala, Milan, in August last year, Barenboim’s Verdi
bicentenary recording of the Italian composer’s most significant
concert work boasts an optimum line-up of soloists for our time:
Anja Harteros, Elina Garanca, Jonas Kaufmann and René Pape.
(Significantly, they are not native Italians, who predominate in
the Requiem discography, and Harteros and Pape are common to
Antonio Pappano’s 2009 EMI recording in Rome.) In the new set’s
concluding Libera me, the German soprano sounds in marginally
less fresh voice, although she conveys the anxiety of the soul
in torment as vividly as ever. Kaufmann’s grainy baritonal tenor
might come as something of a shock to those expecting, say, the
Mediterranean warmth of Pappano’s Rolando Villazon, but he
sounds more technically secure than the Mexican tenor. Garanca’s
lush mezzo sounds like an Amneris in waiting in the Lux aeterna;
Pape is a rock in the bass soloist’s pronouncements. Barenboim
takes a more flexible view of tempo than Pappano. If I just
prefer the EMI recording, it is because Rome’s Sala Sinopoli
contains the climaxes more comfortably than La Scala. But I
wouldn’t want to be without Kaufmann’s searing Ingemisco and
moving, introverted Hostias.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|