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Limelight, January 12, 2016 |
by Steve Moffatt |
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Puccini - Editor's Choice, Opera – October 2015 |
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★★★★★ Jonas singing Puccini? It’s strictly a “vincerò, vincerò” situation.
Jonas Kaufmann was 21 when the Three Tenors made Nessun Dorma into the
most popular aria of them all by featuring it in their 1990 concert on the
eve of the FIFA World Cup Final. It’s taken 25 years for the star German
tenor to put it on record, saying that for a long time he hardly dared sing
it because of Pavarotti and Co’s legacy. “Even today, when I hear and sing
this aria, I still get goosebumps,” he says in the liner notes to his new
all-Puccini album.
Well, the wait has been worth it as it makes the
perfect finale to this five-star feast of the finest moments from “the
people’s composer”. When Kaufmann hits the high B at the climax it’s as
thrilling as anything produced by any of the other great tenors, and if you
purchase the deluxe version with the bonus DVD you’ll see how happy he is
when he nails it.
But the stellar aria is only three minutes of what
is a 16-track, hour-long roller coaster of emotion, all majestically
delivered in that special timbre with its baritone shading.
An
example of how much expression he can call up is Manon and Des Grieux’s duet
Oh, saro la piu bella! when Kaufmann as the love-struck Chevalier can turn
on a coin from virile and ringing tones to the most vulnerable of sotto
voces.
In this he has excellent support from the equally glamorous
Latvian soprano Kristine Opolais. Their chemistry is spot on, not only in
the Manon excerpts – they have appeared together in a stage production of
the opera – but also in O soave fanciulla from La Bohème and Non piangere,
Liù! from Turandot.
By recording it in Rome with Sir Antonio Pappano
and the Santa Cecilia Academy, Sony have put right the failing of Kaufmann’s
Verdi album – the indifferent performance of the Parma Opera Orchestra under
Pier Giorgio Morandi. Kaufmann’s performances there were superb as you would
expect, but you did have the impression that he was let down. On this latest
release, however, you need have no such qualms. Pappano and the Roman outfit
are on top form.
The collection takes in Puccini’s rare earlier works
Le Villi and Edgar, as well La Rondine and most of the staple fare. Three
excerpts from the 2013 Wiener Staatsoper production of La Fanciulla del
West, with Swedish soprano Nina Stemme opposite Kaufmann, comes with the
bonus DVD.
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