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Vancouver Sun, April 19, 2008 |
Lloyd Dykk |
Carmen, London, cinema review
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Carmen telecast grand, and perhaps more accessible
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The Vancouver Sun's Lloyd Dykk took in a
pre-recorded high-definition telecast of Bizet's Carmen from the Royal Opera
in London |
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My friend Ed threatened to show up in a tuxedo.
I said, "Ed, don't. It's a movie theatre. We're seeing Carmen in a movie
theatre."
Thank God he showed up at 1 p.m. in his L.L. Beans but you never know what
Ed will do. Carmen is his favorite opera. It's also the only opera he knows.
This was the 2006 production of Carmen from Covent Garden, a big deal. It
got raves for being gutsy, sexy and realistic. Women were fanning
themselves down from seeing the German tenor Jonas Kaufmann as Don Jose and
the Italian baritone Ildebrando D'Arcangelo as Escamillo, and I think a few
guys were too. And Anna Caterina Antonacci as Carmen isn't too bad in
the looks department either.
This was the first opera telecast by Covent Garden but frankly my other
experience, seeing the Met, was better, just for the theatre which was
severely terraced so that you could see everything. Empire Granville 7
Cinemas aren't - they're more conventional, but it still wasn't bad. It
wasn't a problem because the place was just more than half filled, and boy
were they well-behaved.
I think anybody who made a noise would have been killed because nobody
wanted any distraction from this Carmen, which was the best I've ever seen.
The singing! That soft high B-flat in La fleur que tu m'avais jetée? Oh!
The conducting? Ed said he could have spent the whole three hours just
watching conductor Antonio Pampanno. The direction by Francesca Zambella was
as free as what you'd see in a very good movie. And the singing was
incredible but as far as I'm concerned, everybody played a slight second
fiddle to the minor part of Micaëla starring the amazing soprano Norah
Amsellem. How could that aria have been better?
When it was over, Ed was rapt. But again he brought up Arthur Fiedler and
the Boston Pops Play the Beatles, a formative moment for him, apparently.
And as it turns out, he doesn't even like opera and the only reason he likes
Carmen is the instrumental music.
"It's fine but there's too much singing." At least that's what he said
before.
His last words on Saturday: "Is there a DVD of this?" |
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