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The Sunday Times, February 17, 2013 |
Hugh Canning |
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Pick of the week - Wagner — Die Walküre |
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In
the theatre, Gergiev’s performances of the Ring have been patchy, sometimes
poorly cast affairs, but for this recording, taken live from the new
Mariinsky Concert Hall in 2011 and 2012, the Russian maestro has gone for
optimum international casting of at least three of the principal roles.
His Act I has Jonas Kaufmann’s heroic, poetic Siegmund at the peak
of his powers, partnering a limpid, youthful-sounding Sieglinde in Anja
Kampe — a dream pair of Wälsung twins for our time, and one to compare with
the greatest on disc. Nina Stemme’s Brünnhilde, too, is a Valkyrie
for the ages, combining the gleaming attack of her compatriot Birgit Nilsson
with the lyric tenderness of Anne Evans. She is one of the most complete and
musical Brünnhildes ever recorded, even managing a decent trill in her war
cries. Gergiev catches fire from these wonderful singers, but he goes off
the boil when Ekaterina Gubanova’s well-sung but dull Fricka enters and René
Pape’s patrician-toned but sometimes taxed Wotan embarks on his long Act II
narrations. The Ride of the Valkyries is thrilling, too, and Pape finally
convinces in his touching farewell to his daughter. Mikhail Petrenko’s
black-voiced Hunding — singing decent German — is an asset. Let’s hope
Gergiev can find a Siegfried to equal the standards set here. HC
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